
I have to say, I think it'll be a different interpretation of Sofia Coppola's work, Marie Antoinette, which merited a lot more respect than it actually earned. It was bright, colorful, and an incrediby vivacious performance by Kirsten Dunst. What I didn't really see coming was the unique casting. Molly Shannon, Jason Schwartzmann, and Rip Torn placed in roles that weren't what we viewers were used to seeing them in, and in turn made it entertaining to watch whether or not their careers were able to stand the test of dramatic arts, and not the comedy safety net they became accustomed to (although one of Rip Torn's first dramatic roles happened to be in the film adaptation of Tennesee William's play, Sweet Bird of Youth, alongside an in-his-prime Paul Newman).
Despite what anyone else thinks or says, I believe Sofia Coppola outdid herself and should've earned more respect than the flack she received. It was visually pleasing, and recognized as so when it won an Oscar for best costume design in 2007. She stands apart from Francis Ford, and ever so boldly.

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